The Cleo and James Marston Fitch Thesis Grant was established in 2001 through an endowment by the estate of James Marston Fitch (1909-2000). It is given annually to a Columbia University Historic Preservation student to cover expenses incurred during research for their Master’s thesis.


2026 Grant Recipient

Ashlyn Pause: Thesis research on High Pressure Laminates

 

Past Fitch Grant Recipients

2023

Michelle Leach, “Salt Crystallization Inhibitors: Compounds, Application Methods, and Testing Techniques”

2022

Preme Chayatham, “And There was Light: The Use of Projection Mapping for Historic Preservation”

2021

Tucker Simmons, “Testing Protective Coatings and their Removal for Outdoor Bronze Statuary”

2020

Sarah Sargent, “Reclaiming the Fugitive Dust: Preserving and Interpreting America’s Forgotten History of Nuclear Contamination”

2019

Shivali Gaikwad, “Living with Water: Adaptation Processes, Heritage Conservation and Conflicting Values”

2018

Tonia Sing Chi, “Building Reciprocity: A Grounded Theory of Participation in Native American Housing and the Perpetuation of Earthen Architectural Traditions”

2017

Cheng Liao, “Rethinking the Vernacular in China: Understanding the Dynamics of Social Transformation and the Evolution of Rural Architecture”

2016

Alberto Sanchez-Sanchez, “Behind the Ecce Homo: Rural Development Policy and the Effects of Depopulation on the Preservation of Spanish Heritage”

2015

Laura Groves, “Is there a Role for Preservation in a Favela?”

2014

Emily Barr, “Pressing Issues: In-Kind Terra Cotta Replacement in the 21st Century”

2012

Myun Song, “Wireless Sensing for Reinforced Concrete Structures and Concrete Repair”

2011

Lorena Pérez Leighton, “1930s American Steel Houses: Modern Artifact or Traditional Dwelling?”

2010

Susan Shay, “Cultural Landscape as Foil in Political Struggle”

2009

Christine Huh, “The Bush Terminal Model Lofts and Early Reinforced Concrete Buildings on Brooklyn’s Waterfront; Their Significance as Industrial Heritage”

2004

Susie Jackson, “Natural Extractives as Wood Preservatives”

2003

Takushi Yoshida, “Machine Aesthetics in Architecture: Adaptive-reuse of Grain Elevators in Buffalo as an Industrial Landscape”

2002

Deborah Baldwin van Steen, “The Architecture of Calvin Pollard (1797-1850)”

2001

Michael Caratzas, “Cross-Bronx: Preserving a Significant Urban Expressway and Its Megastructure”

2022

Preme Chaiyatham for And There was Light: the use of projection mapping for historic preservation

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